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Yet these complex emotional exchanges were frequently undermined by the arrangement of the theater. When an aide questions Leontes’ suspicions, he flies into a nervous rage and delivers Shakespeare’s famous speech of nothings: “Nor nothing have these nothings, if this be nothing.” It stands in stark opposition to Hermione’s graceful nobility. Pitts-Wiley as Leontes was a charismatic physical presence, and his hurried descent into paranoia and nihilism was frightening because it was more than a little persuasive. Leontes imprisons Hermione, ensures that the daughter she bears in prison is banished to Bohemia, and only realizes his error when it’s too late. In the first half of the play, King Leontes (Ricardo Pitts-Wiley) wrongly suspects that his wife Hermione (Paula Langton) is pregnant by his friend King Polixenes of Bohemia (Joel Colodner). “The Winter’s Tale” is usually called one of Shakespeare’s romances, which is a cheap way of saying that it doesn’t fit nicely into the categories of Comedy, Tragedy, or History. Though there were scenes of great humor, emotional depth, and rapturous melodicism-it is Shakespeare, after all-the cast (occasionally) and the production team (almost always) were generally not up to the script they had to work with. Tofteland and produced by Sara Stackhouse. The room was an evocative setting for the Actors’ Shakespeare Project’s new production of Shakespeare’s “The Winter’s Tale,” directed by Curt L. Yet the lavishly decorated ceiling, rich with blue and green paint, seems to have avoided any kind of unnecessary municipal “improvement” over the years. On the ground, a linoleum floor and interlocking gray wall panels seem like they belong in a middle school cafeteria. The theater at the Cambridge Multicultural Arts Center is an old ballroom that gets better with altitude.